Storytelling. Myth: Aphrodite’s Rock.
Cyprus. The divided island of myths, tales of gods and tax breaks. A fascinating place for communicators—after all, the entire island is built on myths. Storytelling, ancient-world style.

Some characters are somehow known around the world. The Greek gods are closest to my heart. As someone who took Latin for her school-leaving exams, that feels only natural. Even then, I was impressed by the power of these—yes, I’m writing it—sci-fi characters. All it took was belief in different gods with their important jobs.
Greek myths always begin in chaos. And as a communication consultant, I find that reassuring. These days, every app and every website wants to tell you the solution is oh-so-simple—you just haven’t thought of it yet. So it is almost therapeutic to know that stories which have touched and moved so many people do not have a neat, tidy beginning.
How Do I Start a Damn Good Story?
My travel blogs are very zflys—in other words, deliberately not built around the usual storytelling blah-blah. My headline may not be every search engine’s dream, but I think it’s funny. And as a creative (CEO), you’re allowed—no, required—to make room for wit and aha moments instead of perfect orchestration. And here we both are. I’m writing about storytelling, and you’re reading about storytelling. On our zflys blog. Marvellous. Let’s continue. So, how do you start a damn good story?
1. Timelessness
Stories from antiquity still influence the names of car models, rockets and hotel chains today. Because they feel familiar. You encounter an old, foreign and yet recognisable world. Zeus, Hera and Gaia—alone and together, they tell some of life’s finest stories. These myths were once told to explain natural events (thunder, tides, lunar eclipses) and emotions (love, envy, jealousy). Some brands struggle to hold people’s attention for three seconds. Well. Perhaps they could pick up a few tips from the old master storytellers.
Only a powerful story can lodge itself so deeply in so many minds for so long. Back then, people had “only” their voices to carry these stories on for yeeears. Which brings us neatly to the heart of OUR story:
Ancient myths. Because even in storytelling, myths go (at least) one step further: you remember the story for more than 24 hours, unlike certain social channels. After all, myths do not solve ingrown hairs, to-do lists or budget questions.
2. The Eternal Problem
A process is brilliant until chaos appears and adds one more challenge to the agenda. Scaling is brilliant until someone uploads the wrong Excel price list and chaos erupts. Aaand there’s another problem. We see the pattern: chaos is always there at the beginning. In the middle too. And, with fairly high probability, at the end 😊 That is precisely why we at zflys deal with the uncertainty of chaos. The statue in the zflys Temple of Communication is Tyche—a tribute to that very uncertainty.
We all know the saying:
The only thing that never changes is that everything changes.
The same is true of communication inside and outside a company. Here, too, the goal is to solve a problem. So finding the problem in all those meeting rooms should not be a huge problem. Many managers are masters at getting lost in challenges without actually knowing what the precise problem is.
Myths deal with what endures: humanity’s eternal problems. And I can say with full conviction that communication is one of them. The challenge of human (and artificial) intelligence has occupied Homo sapiens for a very, very long time. So I’m delighted whenever my communication consultancy, zflys, and I can shine a little light into the chaos.
Today we have two-minute pitches, keynotes and reels. Everywhere, stories need telling. When an old school friend stops you in the street and asks, “So, what do you actually do?” that is the perfect opportunity to test your story.
3. Be Understandable
Creating a story is one thing; making it understandable is another. That is why communication tips from antiquity remain some of the most interesting. Why? Tales of gods, temple building, Olympian quarrels and all their dalliances with mortals and one another. That is storytelling at the highest level, conveyed through dialogue.
And now we watch for the furrowed brow. If one appears, it is a clue that your story may not have been understood—or that a logic hole has snuck in.
